TwoGood Salt and Pepper
Playful table pieces where the peck becomes a pour.
A pair of salt and pepper shakers that nod to chickens with a gentle inversion. Instead of pecking to take in grain, these forms release it. The result is a small moment of delight each time you season. The bodies are smooth and organic so they read as tender characters rather than gadgets. One is mirror polished for a jewel like presence. The other is finely sandblasted for a soft satin feel. Black and white natural rubber caps distinguish salt from pepper at a glance.
Stainless steel gives the set a reassuring weight and long life. The rubber caps provide a simple, snug closure and a pleasing contrast to the metal. The pieces are designed as everyday companions that bring a smile to the table as well as clean, controlled seasoning. Launching soon with TwoGoodFellows.
Halo Beam Lamp
The spoon remembers the sun
Born from a brief to reimagine a beautiful ordinary object, I chose the spoon. Its pure circle and straight handle became the rule set. The lamp is built from two symmetrical components formed by metal stamping that hold a circular orange glass. Slim straight arms meet a perfect disc. The result is calm geometry with a clear hierarchy between soft curvature and line.
Function follows that logic. An upside down spotlight fires light through the coloured glass so the room reads a warm aura rather than a hard beam. Stamping keeps the build efficient and repeatable. The language stays very clean, letting proportion and the meeting of circle and line define the object.
Tone LAB
A card based synth that teaches by play.
In collaboration with Yuri Suzuki at Pentagram, I designed a child friendly synthesiser that makes the logic of synthesis feel immediate. Three layers of interaction gently guide use. At the base, a keyboard accepts multiple cards that swap sound sets and can carry learning prompts such as simple maths. Above, tactile controls shape tone and behaviour without demanding prior knowledge. The enclosure is vacuum formed with soft geometry and oversized interfaces so it looks welcoming and feels intuitive in small hands.
Under the playful skin sits a producer grade sound engine. That gives the instrument real sonic depth, so it spans classroom, living room and even the music studio. The result is a device that lowers the barrier to making sound while quietly teaching how synthesis works. This concept progressed into a commercial product with a major brand.
Truetoform Modular Fans
A modular system that grows from table to tower.
I explored a range of directions for Truetoform. From brutalist forms with natural materials to a playful high tech read. The work converged on an architectural concept that feels calm in a room and clear in use. The idea is a platform rather than a single product. A shared head and base remain constant. The central body can be added in multiples to lift the head from table height to a full tower.
Controls are intuitive and always visible, placed to invite use without hunting. The build uses stamped and laser cut aluminium to keep tooling lean, increase durability and support straightforward recycling. The finish communicates quiet quality. The presence is tuned to sit confidently in a space without shouting. A balanced character that blends with interiors while still feeling considered and new.
Brotherhood
Four characteristic speakers as siblings. One family. Four voices.
Brotherhood is a personal study in character and sound. Four speakers with a quietly futuristic presence that feel a little like robots. Each piece stands in for a sibling at a different stage of life. The eldest is grounded and self assured. The second is defined by pure geometry. The third carries the most style and attitude. The youngest is small and delightfully odd. Together they read as a family with shared DNA and distinct personalities.
The acoustics mirror the story. Each form carries a different driver set and band. Subwoofer in the eldest. full range in the second. mid woofers in the third. tweeters in the youngest. The result is not classic hi fi. It is a more singular experience where four voices blend as a chorus in the room. All bodies are folded steel sheet. chosen to avoid the soft damping of wood and deliver a sharper tone. Mass and geometry keep metallic resonance in check and give the collection its confident feel.
KORG Cassette Effects Player
Reviving Retro with Modern Flair
KORG wanted cassettes to feel relevant again with a clear purpose. I designed a portable machine that processes external audio and plays tapes so you get grain, compression and real tape delay without a complex setup. Multiple inputs and outputs take jack connections for quick routing in a home studio. It runs on battery or plugged in, which makes it just as happy on a desk as in a bag. The body is aluminium for durability, a premium feel and straightforward recycling at end of life.
The form language is sharper and more architectural. A three piece visual composition guides interaction within a single cohesive object, so transport, effects and monitoring read clearly at a glance. Controls are sized by importance for instinctive use. The result is a confident, intuitive tool that serves casual listening and creators who want tactile tape behaviour in modern workflows.
Logitech Redesign
Clean Curves and Sustainable Materials
This project involved redesigning the enclosure, buttons, and wheels for the Logitech MX Master mouse. The focus was on creating clean, soft curves to achieve a unibody appearance while using recycled plastics for potential recyclability, avoiding over-moulding used in the original design. The project balanced simple lines with the integration of existing technology, showcasing surface modelling and rendering skills. Starting with foam modelling and advancing to 3D printing, every silhouette was perfected through iterative design.
Arborythm
San Francisco heard as a calming chorus.
Designed and produced for Yuri Suzuki and installed at SFMOMA’s Art of Noise exhibition from 4 May to 18 August 2024. Arborhythm merges sculpture and sound into a public place to rest and reset. Treelike forms in steel and aluminium carry horn shaped speakers. The colour palette nods to the Bay Area with International Orange as a highlight. The cluster works as both seating and gentle landmark. It invites people to pause before they enter the museum.
The sound is composed from more than a hundred field recordings captured across the city. Foghorns. ocean swell. cable cars. sea lions. street ambience. These layers are tuned and sequenced into an ambient wellness score that quietly fills the space. The piece connects visitors to the rhythms of San Francisco while softening the mental noise of the day. Materials and automotive finishes keep the work robust for public use. The intent is simple. replenish attention through a sensory experience that feels local. generous. and calm.